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HOTEL RWANDA ESSAY

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Free Essay, Research Proposal, Dissertation, Thesis and More: Analysis: Hotel Rwanda

Analysis: Hotel Rwanda

Hotel Rwanda tackles one of the most dreadfully ugly events in recent history. I believe that this conflict in the 90’s marked one of the bloodiest chapters in African History. Based on a true story, director Terry George’s war-time drama is set in Rwanda’s capital city of Kigah during 1994 civil genocide. Rwanda erupted with genocidal rage after the country’s Hutu president was assassinated. The Hutus blamed the murder on the hated Tutsi minority and took up firearms and murdered many of their Tutsi neighbors. The political situation was about to explode. Two ethnic groups, the Tutsis and the Hutus had been turned against each other by the white Belgian settlers, who literally measured skin tone and nose width to elevate the Tutsis to preferred positions. In a few months, more than one million Tutsi men, women and children were harshly murdered while United Nations peacekeepers stood by, powerless to step in and help them. When the Hutu (the largest of the three ethnic groups in Rwanda) majority starts massacring the Tutsi (one of three native peoples of the nations in Rwanda) population, Paul Rusesabagina played by Don Cheadle, the Hutu manager of a luxury hotel goes out of his way to save the Tutsi people because his wife is one of them. Rusesabagina is a Hutus and a very successful businessman who makes powerful connections throughout the movie to protect the lives of his loved ones. His position enables him to meet wealthy and powerful people, such as General Bizimungu who later became notorious in leading the genocide of Tutsis. It was arduous for Paul Rusesabagina to help the Tutsi that were being harassed and beaten frequently because the Americans and European governments quickly removed their own people, leaving the threatened Tutsis to fend for themselves. Paul provided shelter for these people in his hotel and did what it took for him to keep them protected from the chaos that was going on outside the hotel’s boundaries. He even pleaded the general to keep the Hutus away from the hotel. Paul saved over 1,200 refugees.

The film's primary theme is the whole-scale separation the nation endured, which ranges from the Hutus and the Tutsis and which goes all the way down to immediate family members. Through this method, "Hotel Rwanda" conveys to its audience the emotional heartbreak of Rwandan refugees as they witness the bloodshed and strive to find a way to escape.

The filmmaker’s point of view came off educational to me. I’m convinced he wrote the script to inform the people of this society of the many different harms and dangers other countries are encountering. It does seem as if he wrote this as a wake up call for our community. Personally, I agree with the film maker’s point of view because the people of our society seems as if they don’ care about what’s happening in other societies. Moreover, if this kind of non-fictional tragedy or any other tragedy is put on film then America will start to realize that horrible conflicts are going on in this world more than they think they know.

Essay about Hotel Rwanda - Film Movie Hutu Tutsi Terry George

Essay about Hotel Rwanda


Some people can’t resist trying to be someone they really aren’t. In
the film Hotel Rwanda, the main character changed his own styles just
to fit in with the Europeans and think that the Europeans will treat
them as if he was a real European. And when times of crisis come
along, he finds out that the Europeans have always looked down at
them. After that, he understands that what he’s been doing was not
himself and he changes.

Paul Rusesabagina, the main character, works as a manager in a hotel
in Kigali, Rwanda. Because of his work, Paul interacts with a lot of
powerful Europeans and he plans on building it up so he can call them
for help if there is any need in the future. Paul wears tuxedos and
ties and he thinks that if he did that the Europeans will treat him as
if he was one of their people.

At that time, genocide between the Hutu and Tutsi people started.
Paul’s wife Tatiana is a Tutsi and the Hutus are hunting down all the
Tutsis, so the safest place for any Tutsi is at the Mille Collines.

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Persepolis and Hotel Rwanda: Human Rights Films Essay example - The last three decades of the twentieth century were a time of revolution, genocide, and violence. Many governments around the world were taking full control over the lives of their citizens. African and Middle Eastern countries were often controlled under European rule through indirect rule. The way that indirect rule worked was that European nations appointed an indigenous group to enforce European laws creating chaos and turmoil within the satellite countries. The turmoil turned brother against brother and father against son. [tags: Human Rights Essays]

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Essay about Hotel Rwanda - Hotel Rwanda Some people can’t resist trying to be someone they really aren’t. In the film Hotel Rwanda, the main character changed his own styles just to fit in with the Europeans and think that the Europeans will treat them as if he was a real European. And when times of crisis come along, he finds out that the Europeans have always looked down at them. After that, he understands that what he’s been doing was not himself and he changes. Paul Rusesabagina, the main character, works as a manager in a hotel in Kigali, Rwanda. [tags: Film Movie Hutu Tutsi Terry George]

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Hotel Rwanda Essay - I decided to surf the internet in search of inspiration, and I found it on the mediate.com website. Robert Benjamin’s article “Hotel Rwanda and the Guerrilla Negotiator” definitely caught my eye…particularly since I had checked the DVD out from the library last Friday but hadn’t yet watched it. Benjamin’s article piqued my interest enough to do some additional research on Rwanda, and passion was born. While a colony of Belgium, Rwanda was separated into two tribal groups which many say was based on physical characteristics such as the wideness of the nose: the common Tutsi (majority), and the upper-class Hutu (minority). [tags: Film Movies History Historical Essays]

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Hotel Rwanda Movie Review & Film Summary (2004)

Hotel Rwanda

Why not? Why not? We are halfway there already.

In 1994 in Rwanda, a million members of the Tutsi tribe were killed by members of the Hutu tribe in a massacre that took place while the world looked away. "Hotel Rwanda" is not the story of that massacre. It is the story of a hotel manager who saved the lives of 1,200 people by being, essentially, a very good hotel manager.

The man is named Paul Rusesabagina, and he is played by Don Cheadle as a man of quiet, steady competence in a time of chaos. This is not the kind of man the camera silhouettes against mountaintops, but the kind of man who knows how things work in the real world, who uses his skills of bribery, flattery, apology and deception to save these lives who have come into his care.

I have known a few hotel managers fairly well, and I think if I were hiring diplomats, they would make excellent candidates. They speak several languages. They are discreet. They know how to function appropriately in different cultures. They know when a bottle of scotch will repay itself six times over. They know how to handle complaints. And they know everything that happens under their roof, from the millionaire in the penthouse to the bellboy who can get you a girl.

Paul is such a hotel manager. He is a Hutu, married to a Tutsi named Tatiana (Sophie Okonedo ). He has been trained in Belgium and runs the four-star Hotel Des Milles Collines in the capital city of Kigali. He does his job very well. He understands that when a general's briefcase is taken for safekeeping, it contains bottles of good scotch when it is returned. He understands that to get the imported beer he needs, a bribe must take place. He understands that his guests are accustomed to luxury, which must be supplied even here in a tiny central African nation wedged against Tanzania, Uganda and the Congo. Do these understandings make him a bad man? Just the opposite. They make him an expert on situational ethics. The result of all the things he knows is that the hotel runs well and everyone is happy.

Then the genocide begins, suddenly, but after a long history. Rwanda's troubles began, as so many African troubles began, when European colonial powers established nations that ignored traditional tribal boundaries. Enemy tribes were forced into the same land. For years in Rwanda under the Belgians, the Tutsis ruled and killed not a few Hutu. Now the Hutus are in control, and armed troops prowl the nation, killing Tutsis.

There is a United Nations "presence" in Rwanda, represented by Col. Oliver (Nick Nolte ). He sees what is happening, informs his superiors, asks for help and intervention, and is ignored. Paul Rusesabagina informs the corporate headquarters in Brussels of the growing tragedy, but the hotel in Kigali is not the chain's greatest concern. Finally it comes down to these two men acting as free-lancers to save more than a thousand lives they have somehow become responsible for.

When "Hotel Rwanda" premiered at Toronto 2004, some reviews criticized the film for focusing on Paul and the colonel, and making little effort to "depict" the genocide as a whole. But director Terry George and writer Keir Pearson have made exactly the correct decision. A film cannot be about a million murders, but it can be about how a few people respond. Paul, as it happens, is a real person, and Col. Oliver is based on one, and "Hotel Rwanda" is about what they really did. The story took shape after Pearson visited Rwanda and heard of a group of people who were saved from massacre.

Cheadle holds his performance resolutely at the human level. His character intuitively understands that only by continuing to act as a hotel manager can he achieve anything. His hotel is hardly functioning, the economy has broken down, the country is ruled by anarchy, but he puts on his suit and tie every morning and fakes business as usual -- even on a day he is so frightened, he cannot tie his tie.

He deals with a murderous Hutu general, for example, not as an enemy or an outlaw, but as a longtime client who knows that the value of a good cigar cannot be measured in cash. Paul has trained powerful people in Kigali to consider the Hotel Des Milles Collines an oasis of sophistication and decorum, and now he pretends that is still the case. It isn't, but it works as a strategy because it cues a different kind of behavior; a man who has yesterday directed a mass murder might today want to show that he knows how to behave appropriately in the hotel lobby.

Nolte's performance is also in a precise key. He came to Rwanda as a peacekeeper, and now there is no peace to keep. The nations are united in their indifference toward Rwanda. In real life, Nolte's bad-boy headlines distract from his acting gifts; here his character is steady, wise, cynical and a master of the possible. He makes a considered choice in ignoring his orders and doing what he can do, right now, right here, to save lives.

How the 1,200 people come to be "guests" in the hotel is a chance of war. Some turn left, some right, some live, some die. Paul is concerned above all with his own family. As a Hutu, he is safe, but his wife is Tutsi, his children are threatened, and in any event, he is far beyond thinking in tribal terms. He has spent years storing up goodwill and now he calls in favors. He moves the bribery up another level. He hides people in his hotel. He lies. He knows how to use a little blackmail: Sooner or later, he tells a powerful general, the world will take a reckoning of what happened in Kigali, and if Paul is not alive to testify for him, who else will be believed?

This all succeeds as riveting drama. "Hotel Rwanda" is not about hotel management, but about heroism and survival. Rusesabagina rises to the challenge. The film works not because the screen is filled with meaningless special effects, formless action and vast digital armies, but because Cheadle, Nolte and the filmmakers are interested in how two men choose to function in an impossible situation. Because we sympathize with these men, we are moved by the film.

Deep movie emotions for me usually come not when the characters are sad, but when they are good.

You will see what I mean.